"Before Rosie and R2-D2 became pop culture icons, a humble toy named Robert paved the way.
Robert the Robot, who was a product of the once-mighty Ideal Toy Company, didn't do much, at least compared to the standards set by science fiction at the time. Unlike the helpful humanoids of Isaac Asimov's I, Robot, Robert was just a 14-inch-tall hunk of plastic that could utter a few phrases, wheel around with a tethered remote control, and grip objects in his mechanical arms.
Still, Robert deserves credit for being the first plastic toy robot made in the United States, and the first toy robot to become an American sensation. He was the subject of children's songs, enjoyed a Hollywood film cameo, and was quickly imitated by rival toy makers. He also preceded the industrial robotics boom by several years, capturing people's imagination long before we truly understood what robots could do.
Collectors Weekly, goes to Lilliput, a Japanese robot made of tin. After the war, tin lithograph toys were a popular export from American-occupied Japan, and Lilliput spawned plenty of successors.
But Robert was an American original, who according to Robotapedia was originally supposed to be a tie-in to the 1954 robot film Tobor the Great. Although Robert never appeared in the film, he received plenty of promotion on his own, debuting in the 1954 Sears Christmas catalog with an asking price of just under $6, or about $54 in 2016 dollars.
Instead of tin, Ideal used plastic injection molding—a process that itself rose to prominence during the war. Plastic was cheaper than tin or cast iron, and it allowed American companies like Ideal to produce their own toys instead of importing and reselling them.
"Robert was an answer to this massive amount of tin toys that were coming from Japan," says Justin Pinchot, a Los Angeles-based collector of vintage toy robots and ray guns. "It was really the beginning of the plastic era."
That's not to say Robert was some cheap knockoff. Cranking the handle on Robert's back caused him to speak ("I am Robert Robot, mechanical man. Drive me and steer me, wherever you can"), while a battery inside Robert's head allowed his eyes to light up. The cable-driven remote control was novel as well, using a hand crank for movement and a trigger for rotation.
Robert also had a unique aesthetic. As Pinchot points out, no one else was doing large robots with "skirted" lower sections at the time, and the look was quickly duplicated even in Japanese robots such as the "Gang of Five," who remain beloved by toy-robot collectors.
"A lot of these innovations were started here and picked up by Japan, so I think Robert was one of those. I'm sure he inspired a lot of tin stuff," Pinchot says.
9-foot-tall Robert greeted customers on the sidewalk, according to the Cincinnati Enquirer.
Robert never became an enduring pop culture icon despite his Hollywood origins, but he did enjoy some attention from the entertainment industry. The children's music label Cricket Records produced a pair of songs about him, and he made a short appearance in the Douglas Sirk melodrama There's Always Tomorrow, starring Barbara Stanwyck and Fred MacMurray..."
Read the full article at its source: https://www.fastcompany.com/3066169/robot-revolution/the-toy-robot-sensation-that-time-forgot